Ap Studio Art Drawing Portfolio Ap Studio Art 2d Design Portfolio

Last Updated on Feb 24, 2022

These are a pick of works and commentaries from Ratthamnoon Prakitpong, a graduate from Thai Chinese International School in Bangkok, Thailand. Ratthamnoon was one of xvi students worldwide to receive a score of 100% for his AP Studio Art Drawing Portfolio in 2015, earning every point possible on each portion of his portfolio. His portfolio scored a perfect six.

AP Studio Fine art: Breadth

The Latitude department of the AP Studio Art portfolio is a bang-up chance to brush up on skills and experiment. The Breadth department of the portfolio consists of 12 works of fine art that demonstrate a mastery of skills whilst showing the artistic range of a student. Here are some examples of what I did to brand my piece of work better and more personal:

The importance of a adept composition

The preliminary photographs above evidence the evolution of my composition. Irresolute from indoor calorie-free to outdoor light and varying objects as well as sizes assisted me in finding a stronger composition. The glass watercolor painting is based on my final composition. To improve on the already strong composition, I exaggerated some lite reflections and fabricated some colors more saturated.

For this form project, nosotros had to work on transparent textures. Having stiff painting skills is of import; having a potent composition to piece of work from equally so. The first batch of preliminary images I did were indoors with two wine glasses. I felt similar the dissimilarity and depth were sufficient, but my teacher, Elizabeth Jendek, asked me to effort other kinds of glass to brand the composition more interesting. I took loads of photos to find compositions that worked. On the second and third preliminary compositions I presented to my instructor, the light was indoors and the glass didn't have reflective areas. The 3rd composition was meliorate considering of the outdoor calorie-free, only it nevertheless wasn't not bad.

And then my teacher suggested I photo outside in sunset. Existence outside made the still life look more natural and lively; these effects were emphasized by the striped cloth, which increased move. In addition, the sunset'south orange light really heightened the spectacles' shine and contrast. With the table'due south directional line, I got the depth dorsum from the get-go composition that was lost during the second and third tries. My composition was strong because my focal point was to the side, which follows the dominion of thirds: there were size relationships showing depth and perspective. There also was variation by color and shape, making the composition more stimulating. A strong composition illuminated my skill of painting. Although this is a drawing portfolio, a skilful composition is as of import as your peachy skill of painting in and of itself. To go the best compositions, I questioned myself; I didn't await things to work out the very outset time, listened to my peers and teacher's advice, and kept working on it until I got the best composition.

Revisiting piece of work makes a big divergence

The departure between my starting time limerick (left) and my concluding image (correct) that I submitted is quite strong. Conscientious consideration and planning allowed me to rescue some of my hard work and create an image that had more than impact. Cutting autonomously the first portrait was easier in one case I had a program.

Every bit my skills improved, I establish that some of my work looked a little uneven. I had a portrait that I did before, which no longer matched the skill level of my other work. Since the face was working fine, the teacher and I discussed the idea of cutting and pasting the caput onto a new image. I took a few photos and did a new limerick in Photoshop and came up with a new epitome. Once I was confident with my new idea, I sketched out my new composition on fresh newspaper, cut out the face up and glued it to the new composition. My new version was much better and it evened up my skill level throughout the portfolio in my final submission.

I took calculated risks with time and composition. I scheduled my time well and used all the good guidance and engineering available to finish this drawing. It turned out to be one of my favorites.

Sometimes abandoning a work of art is better than to keep fighting it

My shrimp artwork was used as a substitute for an image that wasn't working. Using a common occurrence in my life gave this painting a natural feeling and allowed me to incorporate my culture.

While I was doing my portfolio, I had a few compositions that needed reworking – one in particular really only wasn't working out. I tried adding more to the limerick; I did loads of preliminary sketches, and finally decided I was getting nowhere. After discussing and problem-solving with my instructor, we decided it would be better to start a fresh new artwork based off an alternative lesson. It's true that it was difficult to permit go of so much work already done, and the new projection was every bit challenging, simply it worked much better than if I would've continued beating a dead horse.

To compensate for lost efforts, I tried to add together my ain personal touches to this art piece. Fifty-fifty though the greenish plate can be seen just as a nice contrast to the orange shrimp, it'due south also the same plate my family uses when nosotros go out picnicking. We usually lay old newspapers underneath our seafood and then that mess won't spill anywhere. I took direct inspiration from that, and glued newspaper onto my work for texture; to finish, I copied Thai letters onto the composition. By adding my own personal touch on, this uncomplicated projection became more unique, and much richer. They were my shrimp, and this is how I eat them.

Look for inspiration around y'all, in unlikely places

The courier from Phu Kradueng. This image, based off a hiking trip, embodies a traditional attribute of my civilisation. Using the train tickets I used for the trip in gild to add texture to the composition increased the personal significant of my work.

Friends and I went on a hiking trip to Phu Kradueng. In this surface area of Thailand, automated services aren't available, then local couriers offer their services past carrying huge loads to the meridian of the mountain area. Watching these men lift such enormous amounts was inspirational, and I took this great photo capturing their strength and beauty – information technology reminded me of Greek Gods. Although this wasn't a form project, I painted it on my own anyhow for ii reasons: the tourist sight was and so unique, and it was besides an of import memory for my friends and I. To further the personal nature of this prototype, I glued my train ticket to the composition to further add together to that feeling of a snap in time, fully enclosing the character of the identify and to add additional texture.

AP Studio Art: Concentration

Concentration is a department where I focused on a specific topic and many fine art skills. It's very intense and pressuring. Here I commented on a few skills that I focused on to make my Concentration more successful:

Picking the right Concentration topic is incredibly important

Since the Concentration department needed twelve pieces based on a single topic, my teacher brash the class to look long and hard for a topic that had room for development and exploration, yet remained accessible. It took me a few months, but I settled on a Concentration topic nearly unlike perspective-based portraits in the kitchen.

Thematically, I picked this topic because I was already a hobbyist melt, and wanted to combine and explore the 2 things that I liked – fine art and cooking. I feel, in my country, there'due south a cultural stigma near men in the kitchen that I wanted to both question and eradicate by demonstrating that men tin cook likewise equally anyone else.

I decided to pursue portraits and create variation using different perspectives and colour schemes. For my have on perspective, I used a selfie stick to observe new perspective and angles. Where my hands were belongings the camera, I superimposed kitchen tools – spoons, forks, spatulas – to hide the selfie stick in the drawing. Every bit for the kitchen itself, I found inspiration from my personal exploration in using new kitchen tools, like cooking noodles for my lunch box or eggs in the morning. These were additional considerations I fabricated when selecting this topic:

• My exploration was not only visual, simply personal too. It showed my evolution every bit an artist and a thinker. I only had around 5 ideas at the get-go considering I wasn't familiar with the kitchen, just as I personally explored the kitchen more, inspiration came naturally.
• I cared most my topic. I was exploring my hobby and my culture. If I wasn't passionate most my topic, by the 8th or 9th epitome I would've hated my work. Artwork without passion is credible.
• It was visually appealing. Even though my personal story and passion were there, my Concentration wouldn't exist equally strong if I did not play with perspectives and color schemes. I was really experimental about it also, and when the compositions didn't work, they still served as a springboard for the next idea.
• My topic was versatile enough to have twelve dissimilar ideas united under information technology. The kitchen has interesting tools, objects and angles I could use to experiment. That kept my idea fresh, yet united.
• My topic was flexible. Choosing my kitchen every bit a basis for my topic might seem uncomplicated, only information technology provided plenty room for experimenting with techniques that weren't necessarily kitchen-related, like superimposition or collage.
• My topic was attainable. I could go back easily to the kitchen and photograph some more, or look for other inspirations. This made a huge departure when some compositions needed more reworking than others.

(If you lot are struggling to come up upwardly with your own AP Studio Art Concentration ideas, please read: Art Project Ideas: a guide to discipline matter selection).

Here are some examples of how I trouble-solved limerick concerns, increased depth, and manipulated my imagery.

I experimented with depth

These comparison photos show the deviation of superimposing an boosted shelf. The additional shelf significantly increased the depth and move of the limerick.

I increased depth with my selfie stick; it gave me more options with regards to angles. The showtime composition in which I used the stick didn't quite capture what I wanted, so I added an additional shelf at the top of my composition to increase depth. I used a fisheye lens to brand the composition more interesting, and changed the hands that held the selfie stick altogether. I also manipulated color from the originally bland white into a triad color scheme to make it more than visually dynamic.

Combining multiple skills enriches your fine art

Experimenting with viewpoint and mixed media.

I had already used bird'southward heart and worm's eye of view, so I had to come up with something unique for this one. When I looked at the oven, I remembered when my mother broiled and idea of her delighted face up when she pulled out her baking. And then I decided to render some freshly broiled food and the serenity on someone'due south face when they get-go see the food. This gave my image more personal meaning. I likewise added pieces of a hand written recipe for texture and to increase movement. Additionally, I superimposed a meat fork where my selfie stick had been.

Taken from a worm'due south middle view, I used some of the transparent painting techniques I learned during my Breadth section to give the drawers more realism. I thought allowing the viewer to come across what was inside the drawers made the composition more interesting than opaque shelving. I also added a plaid pattern to my shirt then the texture would make the limerick more dynamic. I utilized a unlike approach from the oven painting. Here I didn't modify much of my old techniques; instead, I combined many of them in the new painting. This approach was a great solution for when I couldn't come up upwardly with new ideas or discover a fun mode to modify them.

Final thoughts

In retrospect, I made many gutsy moves, and I failed – a lot. However, I succeeded a lot too. It really came down to commitment, to practice, to having many chances to neglect and, in turn, to succeed. I made more than 24 art pieces, simply I got to choose the ones I was actually proud of for a trimmed version of my portfolio. Most importantly, I'm just another person, and what I did may not apply to you. Listen to the people who know you, who are close to you – your instructor, your peers, and yourself. There'south no point in making annihilation unless you will be proud of it. That means sometimes an unyielding stance, or sometimes blind faith in communication.

Altering compositions by superimposing and changing up my color scheme gave each piece its ain mood.

This AP Studio Fine art Cartoon course was taught past Elizabeth Jendek. Piece of work from her students is used by Alison Youkilis, an AP Art instructor trainer, to teach other educators around the world. You tin see additional outstanding artworks by Elizabeth Jendek's students in the article: 50+ Still life cartoon ideas for art students.

This loftier school art project was shared with our audience so that other students may benefit from the ideas, techniques and approaches used. We celebrate the attempt and achievement of loftier school students and Fine art Departments around the world. If y'all would like to share your own art project (or that of your students), please read our submission guidelines.

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Source: https://www.studentartguide.com/featured/ap-studio-art-drawing-portfolio-2

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